Early

Early may refer to:

History

Places

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Early, Iowa

Early is a city in Sac County, Iowa, United States. The population was 557 at the 2010 census.

History

Early was incorporated on May 22, 1883, and is named after D.C. Early, a local settler.

Geography

Early is located at 42°27′43″N 95°9′5″W / 42.46194°N 95.15139°W / 42.46194; -95.15139 (42.461903, -95.151290).

According to the United States Census Bureau, the city has a total area of 0.39 square miles (1.01 km²), all of it land.

Demographics

Early's "claim to fame" is that it is the Crossroads of the Nation, because Highway 71 and Highway 20 cross each other there.

2010 census

As of the census of 2010, there were 557 people, 246 households, and 146 families residing in the city. The population density was 1,428.2 inhabitants per square mile (551.4/km²). There were 287 housing units at an average density of 735.9 per square mile (284.1/km²). The racial makeup of the city was 93.2% White, 1.4% African American, 0.2% Native American, 0.2% Asian, 0.5% Pacific Islander, 3.1% from other races, and 1.4% from two or more races. Hispanic or Latino of any race were 4.5% of the population.

Early (album)

Early is a 2005 compilation by Scritti Politti which collects singles and EPs recorded in the first years of the band's existence and prior to the release of its 1982 debut album Songs to Remember. It captures the group in its early incarnation as a DIY post-punk act characterized by an experimental musical approach and Leftist political concerns. Following these recordings, leader Green Gartside would abandon the group's avant-garde leanings and attempt a more commercial musical direction.

Music

The group's sound on these early recordings have been described by AllMusic as "scrappy, taut, and forthrightly experimental in style, utilizing abrupt changes, rhythmic displacements, and gritty and discordant harmonies tempered by Gartside's sweet vocalizing of impenetrably obscure lyrics, vaguely political in sense but temporal and abstract in meaning."Pitchfork Media characterized these songs as "what happens when you combine Marxism, art school, and post-punk London, 1979: A rickety, alien pulse, as made by a band that insisted on printing the production costs of every single on the sleeve."